Person
Marion Förster
1964 geboren in Pegnitz
2006-2011 Studium der Bildenden Kunst an der Akademie Faber-Castell
2011-2014 Meisterklasse Bildende Kunst an der Akademie Faber-Castell
Ausstellungen
2011 Alte Mine, Akademie Faber-Castell, Nürnberg I Fazit (G)
2014 Alte Mine, Akademie Faber-Castell, Nürnberg I Kunstzone (G)
2016 QF Quartier an der Frauenkirche, Dresden (E)
2017 Art Salzburg Contemporary & Antiques International, Salzburg I visaturé (E)
2018 Museum St. Johann, St.Johann/Tirol I visaturé (G)
2018 A&D Gallery, London I visaturé (G)
2018 Villa Palagione, Volterra I Projektarbeit in situ (G)
2018 Wohn+Design-Forum, Nürnberg I visaturé (E)
2019 Wohn+Design-Forum, Nürnberg I visaturé (E)
2019 Arte Borgo Gallery, Rom I visaturé (G)
2020 Galerie Foerstermühle, Fürth I Kryptoportraits (E)
2021 Galerie Foerstermühle, Fürth I Kryptoportraits (E)
2022 Galerie Foerstermühle, Fürth l Kryptoportraits (E)
2022 Brooklyn Art Library, New York I The Sketchbook Projekt (G)
2022 Tilly Studios, Nürnberg I zu Gast bei Ruth Bergmann I visaturé (G)
2023 Palazzo Della Cancelleria, Rom I Contemporary Icons (G)
2023 Tempio Di Pomona, Salerno I Soliloquio (G)
Foto: Uwe Niklas
„With her Kryptoportraits, Marion Förster (1964, Pegnitz, studies in Fine Arts) treads new paths of the portrait. Beyond mimetic likeness, her subtle explorations of the individual oscillate between writing and image, between drawing and painting, between revealing and concealing.
In times of inflationary dissemination of faces via digital information systems, the artist consciously cultivates a slow and very concentrated work process. In this way, she achieves counteracting an impersonality and irrelevance that is proceeding in society“.
Dr. H. Tesan
„Con i suoi Kryptoportraits, Marion Förster (1964, Pegnitz, studi dell’arte figurativa) percorre nuovi sentieri del ritratto. Al di lä della somiglianza mimetica, le sue sottili esplorazioni dell’individuo oscillano tra scrittura e immagine, tra disegno e pittura, tra rivelazione e occultamento.
In tempi di diffusione inflazionistica dei volti attraverso i sistemi informativi digitali, l’artista coltiva consapevolmente un processo di lavoro lento e molto concentrato. In questo modo, riesce a contrastare l’impersonalitä e l’irrilevanza che procedere nella societäa“.
Dr. H. Tesan